You can get Talking Heads dates online, but a lot of times they aren’t exactly correct. I had that to go on, which was very helpful.

If it was, she’d say, “Great show.” If it wasn’t, she’d write, “Never come back here again.” She was our road manager back then, so she would write down the name of the venue that we played, how many people bought tickets, how many encores we got and whether or not she thought it was a good show. I’m talking about datebooks that you buy at the Metropolitan Museum of Art. I had to rely on my memory.īut Tina, thank goodness, kept very good datebooks. I guess I was too distracted, or things were moving too fast. Did you keep any sort of diary from back then that you consulted?Īll through my Talking Heads and Tom Tom Club experience I was always thinking, “I should be keeping a journal.” I also thought, “I should also be taking photographs.” But I never had a camera and I bought a couple of journals, but I never journaled in them. I was very impressed by your memory for detail, especially when it came to the early days of the Talking Heads. I can write.” I also felt like I really should do it myself I should do the work. But then I thought, “I went to a good college.

A lot of the best memoirs are ghostwritten. It took me a year and a half to write it and another six months to finish all the edits.ĭid you ever think about bringing on a collaborator to help you with it?

We’re going to edit them.” And I said, “OK, fine.” I did that and like a week later I had a book deal. You have to write an outline and three chapters. He said, “Chris, this is what you’ve got to do. With the help of my manager, I got a literary agent. “Chris, when are you going to write that book?” Then about six or eight years ago, I started talking about it with Tina and other friends. I had the idea for many years, like a really long time, but I didn’t really talk about it. It also reveals how they created masterpieces like the 1982 Tom Tom Club song “Genius of Love.”įrantz called up Rolling Stone to talk about the book, the state of his relationship with David Byrne, the slim odds of a Talking Heads reunion, and his future plans. Remain in Love details their early romance at the Rhode Island School of Design and how it survived and even thrived during their time together in Talking Heads and the Tom Tom Club. Frantz does touch on some of this bitterness in the book, but he spends much more time celebrating the group’s many accomplishments along with his four-decade partnership with wife and bandmate Tina Weymouth.

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